By Eliot Reed | For The Herald Bulletin
Peeking over the eastern horizon, the sun’s light pierces a stand of trees in the distance.
As the sun climbs higher in the morning sky, the trees that tower over Circle Mound catch the light and glow golden and green. With the sun slowly rising higher, the bowing trees and gateway of Circle Mound frame in the sun. For more than 2,000 years the sun has risen in perfect alignment, marking the end of one season and the beginning of another.
For the past four years, I have visited Circle Mound on the spring and fall equinox to see this phenomenon for myself. As a landscape photographer I have traveled all over the country taking photographs of wild and vast landscapes — volcanoes and glaciers, salt flats and dunes — but it was a trip to Mesa Verde National Park in southwestern Colorado where my outlook on landscape photography changed.
Circle Mound is the only visible rectangular structure of the three discovered in the park. Earthwork G is buried in the campground area and Earthwork F has been severely damaged by cultivation and the construction of a county road. Very little is known about the activities that occurred at Circle Mound and the other rectangular structures. Most of the archeology done at Mounds State Park has occurred at the circular earthworks – the Great Mound enclosure, Fiddleback, and a few small adjacent structures.
Eliot Reed, an Anderson native, is the owner of Park Place Arts, a custom frame shop and art gallery in Anderson. He is a founding director of Heart of the River Coalition. “On Nature” is published Mondays